The High King of Montival: A Novel of the Change Read online

  Table of Contents

  Title Page

  Copyright Page

  Dedication

  Acknowledgements

  CHAPTER ONE

  CHAPTER TWO

  CHAPTER THREE

  CHAPTER FOUR

  CHAPTER FIVE

  CHAPTER SIX

  CHAPTER SEVEN

  CHAPTER EIGHT

  CHAPTER NINE

  CHAPTER TEN

  CHAPTER ELEVEN

  CHAPTER TWELVE

  CHAPTER THIRTEEN

  CHAPTER FOURTEEN

  CHAPTER FIFTEEN

  CHAPTER SIXTEEN

  CHAPTER SEVENTEEN

  CHAPTER EIGHTEEN

  CHAPTER NINETEEN

  CHAPTER TWENTY

  CHAPTER TWENTY-ONE

  EPILOGUE

  NOVELS OF THE CHANGE

  ISLAND IN THE SEA OF TIME

  AGAINST THE TIDE OF YEARS

  ON THE OCEANS OF ETERNITY

  DIES THE FIRE

  THE PROTECTOR’S WAR

  A MEETING AT CORVALLIS

  THE SUNRISE LANDS

  THE SCOURGE OF GOD

  THE SWORD OF THE LADY

  OTHER NOVELS BY S. M. STIRLING

  THE PESHAWAR LANCERS

  CONQUISTADOR

  A TAINT IN THE BLOOD

  ROC

  Published by New American Library, a division of

  Penguin Group (USA) Inc., 375 Hudson Street,

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  Penguin Books Ltd., Registered Offices:

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  First published by Roc, an imprint of New American Library, a division of Penguin Group (USA) Inc.

  First Printing, September 2010

  Copyright © Steven M. Stirling, 2010

  Map by Courtney Skinner

  All rights reserved

  REGISTERED TRADEMARK—MARCAREGISTRADA

  LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA:

  Stirling, S. M.

  The High King of Montival: a novel of the change/S. M. Stirling.

  p. cm.

  eISBN : 978-1-101-46006-1

  1. Regression (Civilization)—Fiction. I. Title.

  PS3569.T543H54 2010

  813’.54—dc22

  2010016068

  Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.

  PUBLISHER’S NOTE

  This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

  The publisher does not have any control over and does not assume any responsibility for author or third-party Web sites or their content.

  The scanning, uploading, and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated.

  http://us.penguingroup.com

  To Diana Paxson, fellow bard

  ACKNOWLEDGMENTS

  Yet more!

  Thanks to my friends who are also first readers:

  To Steve Brady, for assistance with dialects and British background, and also natural history of all sorts.

  Thanks also to Kier Salmon, for once again helping with the beautiful complexities of the Old Religion, and with . . . well, all sorts of stuff!

  To Diana L. Paxson, for help and advice, and for writing the beautiful Westria books, among many others. If you like the Change novels, you’ll probably enjoy the hell out of the Westria books—I certainly did, and they were one of the inspirations for this series; and her Essential Asatru and recommendation of Our Troth were extremely helpful . . . and fascinating reading.

  To Dale Price, for help with Catholic organization, theology and praxis; and for his entertaining blog, Dyspeptic Mutterings, which can be read at http://dprice.blogspot.com/.

  To Brenda Sutton, for multitudinous advice.

  To Melinda Snodgrass, Emily Mah, Terry England, George R. R. Martin, Walter Jon Williams, Vic Milan, Jan Stirling and Ian Tregellis of Critical Mass, for constant help and advice as the book was under construction.

  Thanks to John Miller, good friend, writer and scholar, for many useful discussions, for loaning me some great books, and for some really, really cool old movies.

  Special thanks to Heather Alexander, bard and balladeer, for permission to use the lyrics from her beautiful songs which can be—and should be!—ordered at www.heatherlands.com. Run, do not walk, to do so.

  Thanks again to William Pint and Felicia Dale for permission to use their music, which can be found at http://members.aol.com/pintndale/ and should be, for anyone with an ear and salt water in their veins.

  And to Three Weird Sisters—Gwen Knighton, Mary Crowell, Brenda Sutton and Teresa Powell—whose alternately funny and beautiful music can be found at www.threeweirdsisters.com/.

  And to Heather Dale for permission to quote the lyrics of her songs, whose beautiful (and strangely appropriate!) music can be found at www.HeatherDale.com and is highly recommended. The lyrics are wonderful and the tunes make it even better. Thanks to S. J. “Sooj” Tucker for permission to use the lyrics of her beautiful songs, which can be found at www.skinnywhitechick.com, and should be.

  Thanks again to Russell Galen, my agent, who has been an invaluable help and friend for a decade now, and never more than in these difficult times.

  All mistakes, infelicities and errors are of course my own.

  CHAPTER ONE

  NANTUCKET ISLAND

  IMBOLC, FEBRUARY 18,

  CHANGE YEAR 24/2023 AD

  “Where did it all go?” Mathilda Arminger said. “There were roads and houses! Now it’s just trees. They’re old trees too; you can see that, even if the sea-wind has stunted them.”

  “Why are you asking me?” Rudi Mackenzie said, with studied reason in his tones.

  The which always drives you crazy and makes your eyes sparkle fetchingly, anamchara mine, he thought.

  “You’re the one with the magic sword!”

  Mathilda caught the twinkle in his own eye and stuck out her tongue at him. They laughed, a quiet, relieved sound; it was good to have nothing but a mystery troubling them, as opposed to homicidal strangers.
Rudi let his hand fall to the hilt of the weapon slung at his right hip. The pommel shaped of moon-crystal held in antlers gave him a slight cool shock as his calloused palm touched it, less a physical sensation than a mental one . . . or possibly spiritual.

  “What does it feel like?” Mathilda asked, subdued again.

  “To hold it?”

  She nodded, and he went on: “It’s . . . hard to describe; that it is. Not as much of a shock as the first time; I grow used to it, but . . . It’s as if my thoughts themselves were faster somehow. More sure. More themselves. You know how you think, If I do a certain thing, that might happen, or the other thing, or, then again, perhaps this? And your wit and experience give you an idea of each, and how likely they are? Well, when I do that now it’s as if little mummers were making a play of it in my head, and I know what’s most likely. It’s . . . disconcerting; that it is.”

  “It would be,” she said seriously. “Useful! But, well, Rudi, if you could really see what would happen whenever you did something, would you have any freedom of choice at all? After all, you’d always know the best thing to do!”

  He laughed a little, but there was less amusement in it this time.

  “Sure. Don’t folk choose to do things even if they know it’s folly and the result will be black disaster? And don’t they do that all the time?”

  She snorted and elbowed him in the side. In armor it was more heard than felt, but he took the point.

  “So, bearer of the Sword of the Lady, what does its power tell you about this island? What and where and what is it, now?” she said.

  “It’s not visions I’m receiving,” he said. “And there’s no printed list of directions on the scabbard!” He could feel her shift.

  “You’ll probably spend a lot of time learning what it can do,” she said.

  Rudi smiled at the winter ocean. Nobody’s fool, my Matti! he thought. Aloud: “That I will! So far it’s like the sharpening of my own thoughts. And I think ...” He hesitated for an instant. “I think that this island has been a . . . a patchwork since the Change ended the old world; that it has. Not quite the place it was before that day. Not quite the island of another time, or many other times. Now it’s all of one thing—and that thing is the Nantucket Island that was before men first cut down its trees for cornfields. As if a thing started the year we were born has now been completed.”

  “Then what happened to the island from our time? Or at least from the time of the Change? There were thousands of people here according to the books.”

  “I suspect—not know, mind, but suspect—that the island that lay here twenty-four years ago was switched for the one we’ve gotten. And so began the Change Years.”

  She frowned. “But wouldn’t that have made things different? Changed the past, I mean. When the English came here they didn’t find men speaking English, or riding horses, or forging iron swords.”

  The vision that had come with the Sword’s finding was slipping away, as such things did. Flickers of a forest far grander than this, grander even than the Douglas fir woods of his homeland. Trees that towered towards a crescent moon. Three Ladies—Maiden, Mother, Crone—had spoken with him, and he could still grasp at shattered fragments of what they told, at vistas of time and space vaster than a human mind could ever hold, of universes born and dying and reborn again.

  He touched the hilt, and Mathilda shivered against him. Rudi was tempted to do likewise.

  “You’ve the right of that. There’s something . . . something about what the Ladies said to me—spirals of time, and each different yet partly the same . . . As to how the one is linked to the other, well, don’t ask me, for I can’t do more than babble of wondrous things seen in dreams.”

  Then he worked his shoulders and returned to practicalities: “From the sky, the weather and the way our wounds have healed, I’d say we lost about a month since we arrived . . . in an instant or so,” he said. “And to be sure, we’ve lost that . . . town too. If it was altogether here to begin with . . . the strangeness and dark bewilderment of it. I kept seeing it different while we were running through it.”

  “Me too,” Mathilda said, and crossed herself. “Then . . . it was as if someone was talking to me.”

  “Who?” Rudi said, and tightened his arm as she shivered.

  “A . . . a woman in blue? Ignatius saw her in the mountains, but . . . or was she in armor? There’s Saint Joan . . . I don’t know. And they were the most important words I’d ever heard but now they’re gone, mostly. Then you were back, and I didn’t care anymore where we were.”

  She took his arm. “Now . . . now, like you said, it’s all of a piece. And, more important, it looks like it isn’t going to change on us again.” There was as much question as certainty in her voice.

  He nodded. “It feels that way to me, as well.”

  Now there was a thick, low forest of leafless brown oak and chestnut, and green pine behind; ahead lay beach, and salt marsh full of dead brown reeds, and the ruffled gray surface of a broad inlet of the winter-season Atlantic. It still seemed a little unnatural for the glow of sunrise to be over the eastern waters; the only ocean he’d ever seen until a month ago had been the Pacific, which beat on the shores of Montival—what the old world had called Oregon and Washington.

  It’s still the Mother’s sea, he thought.

  The wind came off it, damp and chill under a sky the color of frosted lead, blowing his shoulder-length red-blond hair around his face and smelling of salt and sea-wrack; it brought out the gray in his changeable eyes as well, overshadowing the blue and green. Mathilda’s brown locks were in two practical braids bound with leather thongs, framing her strong-boned, slightly irregular young face. She leaned against him and he put his chin on her head; she was taller than most women, but his height of six-two made the action easy. A few stray locks tickled his nose. He shut his eyes, letting the scents of sea and woman fill his nostrils, and the rushing-retreating shshshsshs of waves on sand and the raucous cries of gulls fill his ears.

  She sighed deeply. “I feel . . . I feel like all the way from home to here I’ve been running down a set of tower stairs in Castle Todenangst, the way we did when we were kids and you were visiting? And it’s dark and I don’t notice I am at the bottom and my feet keep trying to run down after I’ve hit the floor.”

  He nodded—she could feel the pressure of his chin, even if she was looking into the green leather surface of his brigandine. Between that, with its inner layer of little riveted steel plates, and her titanium-alloy mail hauberk and the stiff coat of padding beneath, the embrace was more theoretical than real, but comforting nonetheless.

  “I know what you mean! Near two years we’ve been after the Sword, from sunset to sunrise, from Montival to Nantucket . . . and now we’ve got it, the creature. What next?”

  “Home,” she said, and there was longing in the word, a feeling he could taste in his own mouth.

  “Home. Though that walk is likely to be upstairs, as it were.”

  Then she went on: “You said to walk towards the Sword was to walk towards your own death. Now we’ve got it—and you’re still alive, by Father, Son and Holy Ghost!”

  “And I’m still walking towards death,” he said. At her scowl: “Though to be sure, we all are! At the rate of a day for every day, so to speak.”

  Then she sighed, and he nodded. It was cold, if bleakly beautiful, and the damp chill penetrated their grimy wools and leathers and padding. More, there was work to be done. They turned and walked hand in hand back towards the spot where the . . . town . . . had been.

  The Nantucket where the Change had begun a generation before was gone. So was the Bou el-Mogdad, the captured Moorish corsair vessel they’d run ashore as it burned beneath them, and the wharf it had struck with multiton violence. Slightly charred, the long, slender shape of her sister-ship lay canted on the shore. Even awkwardly stranded on the sandy mud by the retreating tide, the pirate schooner Gisandu still had the graceful menace of her namesake�
�the word meant Shark in the Wolof tongue. Beaching her hadn’t done any harm; ships of that breed were built for longshore work.

  Three groups stood there under the shadow of its bowsprit, edging apart. Rudi’s friends and kin and the followers picked up along the way, thirty altogether, stood around a crackling driftwood fire that spat sparks blue and green. The surviving dark-faced corsairs from the two Saloum rovers were a bit farther away with their heels to the waves that hissed up the sand, forty of them . . . and not quite enemies anymore. And the High Seeker of the Church Universal and Triumphant was farther away still, with the ten men left to him glaring helplessly at both the other groups.

  Only Rudi’s own folk were armed; they’d awoken to find the others still groggy and helpless. The Cutters and corsairs were looking uneasily at the cold steel glint of sword blades and spearheads and the points of nocked arrows. Father Ignatius of the Order of the Shield of St. Benedict nodded to Rudi, a short, brisk gesture. His hands rested on the pommel of his own sheathed longsword; his tilted dark eyes were calm, and his armor showed through the battle rents in his kirted-up black robe. Their injuries had healed, but not the damage to their gear.

  “We had best settle matters here soon, Your Majesty. Our food supplies are very low. The Gisandu’s stores were exhausted bringing both her crew and the Cutters here. Also we do not have so much of an advantage over them that we can long delay,” he said.

  There was a limit to the number of men you could hold at the point of a blade, and it wasn’t very high if they were brave and knew their business. Which described everyone here quite well.

  “That’s the truth. It’s past time to . . . settle . . . these Cutter fellows, Chief,” Edain Aylward Mackenzie said grimly. “Settle them in the Mother’s earth, and send the souls of them off to the Summerlands for a talking-to from Herself.”